Eurovision Used to Be a Campy Joy – But It Has Evolved Into a Calculated Tool to Sanitize Conflict.

A recent initialism emerged several months after the start of the military campaign against Gaza. Labeled WCNSF, it stands for “Wounded child, no surviving family”. This term is unique to Gaza, as stated by medical experts such as paediatricians. Normally, it is uncommon for physicians to attend to a young patient who has seen the death of their complete family. But, there has been nothing “normal” regarding the devastating conflict in Gaza, where entire family lineages have been eradicated and the number of children who have lost limbs is greater than that of any other region in the world. Nothing normal in numerous doctors returning from a landscape of rubble with accounts of children being systematically aimed at.

An Unimaginable Crisis Regardless of a Announced Cessation of Hostilities

Conditions in Gaza persist as hell on earth. Critical healthcare resources are not getting in those in need, and international watchdogs assert that atrocities are continuing. Officials has denied these claims, just as it disavows all charges it is accused of. But while young survivors are now suffering from the cold in temporary shelters, there is some ostensibly positive news: nothing is going to stop the Eurovision song contest from pursuing its stated mission of “togetherness and artistic sharing.” Organizers will continue to offer a welcoming platform for Israel, even though a number of European countries have now withdrawn in objection. And this, it seems, is what unity manifests as.

Eurovision, of course banned Russia from participating in 2022 over the “unprecedented crisis in Ukraine”. Yet the conflict in Gaza appears to be entirely distinct.

Contradictory Principles

Overlook the circumstance that Israel was criticized for irregular participation methods last year in what could be seen as an attempt to politicise Eurovision. Ignore the report that a young child was allegedly fatally struck in Gaza recently. Forget the fact that attacks by settlers and systematic expulsions in the West Bank have increased dramatically. Disregard the condition that foreign reporters are still prevented from freely reporting in Gaza. None of this, it would seem, should be allowed to get in the way of Eurovision’s much-touted ethos of unity.

The Show Goes On While Ignoring Profound Human Cost

The contest reaches its seventieth anniversary next year – almost double the average life expectancy of an individual in Gaza today. The event will proceed, but it will likely never recapture the camp joy it was formerly known for. A competition that was originally built on peace has devolved into a transparent instrument to sanitize military aggression.

Shannon Arellano
Shannon Arellano

Maya Chen is a tech journalist with over a decade of experience covering digital trends and innovations across Europe.